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Seventh Movement (Polyhymnia) |
The World Upside Down |
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Sixth Movement (Fluid Density) |
The World Upside Down |
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Fifth Movement |
The World Upside Down |
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Fourth Movment |
The World Upside Down |
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Third Movement |
The World Upside Down |
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Second Movement (The Temple of Venus, Part II) |
The World Upside Down |
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First Movement (The Temple of Venus, Part I) |
The World Upside Down |
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Freeform |
Symphony No. 9: L'eve future |
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Symphony No. 9: L'eve future |
Symphony No. 9: L'eve future |
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The Ascension |
The Ascension |
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Light Field (In Consonance) |
The Ascension |
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Structure |
The Ascension |
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The Spectacular Commodity |
The Ascension |
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Lesson No. 2 |
The Ascension |
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Dissonance |
Lesson No. 1 |
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Lesson No. 1 for Electric Guitar |
Lesson No. 1 |
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Third Movement |
Symphony No. 3: Gloria |
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Second Movement |
Symphony No. 3: Gloria |
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First Movement |
Symphony No. 3: Gloria |
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Lost Chords |
The Ascension: The Sequel |
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The Blood |
The Ascension: The Sequel |
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Lesson No. 3 (Tribute to Steve Reich) |
The Ascension: The Sequel |
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Quadratonic |
The Ascension: The Sequel |
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Carbon Monoxide |
The Ascension: The Sequel |
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The Tone Row That Ruled the World |
The Ascension: The Sequel |
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Fifth Movement |
Symphony No. 6: Devil Choirs at the Gates of Heaven |
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Fourth Movement |
Symphony No. 6: Devil Choirs at the Gates of Heaven |
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Third Movement |
Symphony No. 6: Devil Choirs at the Gates of Heaven |
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Second Movement |
Symphony No. 6: Devil Choirs at the Gates of Heaven |
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First Movement |
Symphony No. 6: Devil Choirs at the Gates of Heaven |
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Fifth Movement: In the Late 20th Century the Impossible Becomes Possible |
Symphony No. 2: The Peak of the Sacred |
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Fourth Movement: Sacred Field |
Symphony No. 2: The Peak of the Sacred |
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Third Movement: Melodrama and Nuclear Physics in the Global Theater |
Symphony No. 2: The Peak of the Sacred |
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Second Movement: Radioactive Poltergeist Kitchen 1955 |
Symphony No. 2: The Peak of the Sacred |
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First Movement: Slow Mass |
Symphony No. 2: The Peak of the Sacred |
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Fourth Movement |
Symphony No. 1: Tonal Plexus |
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Third Movement |
Symphony No. 1: Tonal Plexus |
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Second Movement |
Symphony No. 1: Tonal Plexus |
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First Movement |
Symphony No. 1: Tonal Plexus |
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Symphony No. 10: II. The Horror |
Symphony Nos. 8 & 10: The Mysteries |
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Symphony No. 10: I. The Final Problem |
Symphony Nos. 8 & 10: The Mysteries |
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Symphony No. 8: II. Spiritual Anarchy |
Symphony Nos. 8 & 10: The Mysteries |
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Symphony No. 8: I. The Passion |
Symphony Nos. 8 & 10: The Mysteries |
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Sixth Movement |
Symphony No. 5: Describing Planes of an Expanding Hypersphere |
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Fifth Movement, Part III |
Symphony No. 5: Describing Planes of an Expanding Hypersphere |
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Fifth Movement, Part II |
Symphony No. 5: Describing Planes of an Expanding Hypersphere |
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Fifth Movement, Part I |
Symphony No. 5: Describing Planes of an Expanding Hypersphere |
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Fourth Movement |
Symphony No. 5: Describing Planes of an Expanding Hypersphere |
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Third Movement |
Symphony No. 5: Describing Planes of an Expanding Hypersphere |
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Second Movement |
Symphony No. 5: Describing Planes of an Expanding Hypersphere |
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First Movement |
Symphony No. 5: Describing Planes of an Expanding Hypersphere |
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Harmonic Series Chords |
Indeterminate Activity of Resultant Masses |
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So That Each Person Is in Charge of Himself |
Indeterminate Activity of Resultant Masses |
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Indeterminate Activity of Resultant Masses |
Indeterminate Activity of Resultant Masses |
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